Radim Peško, “Dear Sir, Dear Madam,” typeface, 2011.

'Zak Kyes Working With…' will open with a public reception June 14, 2012. Please join us for a talk by Zak Kyes at 5:30PM, followed by an opening reception and the world premiere book launch of the exhibition catalog published by Sternberg Press from 6-8PM.

For more information on the exhibition, Zak Kyes Working With..., click here.

Photo: Giovanni de Angellis

In his Lampo debut, John Wiese will present three new works — a quad diffusion of "Magical Crystal Blah," an all-new iteration of "Battery Instruments," and a concrète improvisation. Expect an immersive sonic experience, shaped by John's distinctive and precise use of stereo panning.

John Wiese (b. 1977, Ft. Leavenworth, KS) works primarily in recorded and performed sound with a focus on installation and multi-channel diffusions, as well as scoring for large ensembles. Wiese is involved in multiple ongoing projects including the concrète grindcore band Sissy Spacek, and collaborations with Evan Parker, C. Spencer Yeh, Aaron Dilloway, Kevin Drumm, Lasse Marhaug, and others. In 2011 he released his 100th 7-inch record, celebrated with a retrospective exhibit and monograph. Many of these recordings were published on his Helicopter label, and on more than 50 independent labels from around the world. Wiese has toured extensively and has appeared at several leading international festivals. He lives and works in Los Angeles.

This performance is presented in partnership with Lampo. Founded in 1997, Lampo is a non-profit organization for experimental music, sound art and intermedia projects.

Image: from Utopie: Texts and Projects 1967–1978 (Semiotext(e)and MIT Press, 2011).

Starting from the recent anthology of writings, Utopie: Texts and Projects 1967–1978 (Semiotext(e) and MIT Press, 2011), Buckley’s talk will focus on the production of the Utopie group, a collection of architects, urbanists, and sociologists that emerged in the cracks between several disciplines in the late 1960s. While the group’s collaboration is often seen as parallel to the simultaneous rise of interdisciplinarity within the academy and in large urban planning initiatives, for Utopie such a collaboration remained distinct from, and opposed to these larger institutional trends. The talk will reexamine the demands that such group formations placed upon the intellectual and pedagogical culture of architecture during the late 1960s in order to consider what its legacies may be today.

The talk will be followed by an open discussion moderated by Sara Knox Hunter of Summer Forum for Inquiry and Exchange. Conversation will then continue with a reception in the library and Graham bookshop where Utopie: Texts and Projects 1967–1978 and other related titles will be available for sale.

Craig Buckley teaches at Columbia University’s Graduate School of Architecture, Planning, and Preservation, where he is also the Director of Publications. His research focuses upon relationships between architectural practice, new genres of publication, and politics in the postwar period. Recent books include Dan Graham’s New Jersey (coedited with Mark Wasiuta, Lars Müller Publishers, 2012), Utopie: Texts and Projects 1967-1978 (with Jean-Louis Violeau, Semiotext(e) 2011) and Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X (with Beatriz Colomina, ACTAR Press 2010). His writing and criticism have appeared in the journals Anarchitekur, Log, October, and Perspecta, among others.

This event is co-sponsored by the Graham Foundation and Summer Forum for Inquiry and Exchange.

Summer Forum for Inquiry and Exchange seeks to nurture and facilitate conversation and creative exploration through an examination of contemporary texts. This year, participants will meet in New Harmony, Indiana for a one-week summer residency to engage in an extended dialogue centered on directed readings on the prescribed theme, "Community, Utopia, and the Individual."

Lampo and the Graham Foundation are pleased to present Matt Carlson in his Chicago debut. Carlson, a member of the duo Golden Retriever and former member of the Parenthetical Girls, will premiere new compositions for analog modular and digital synthasizers and voice with an array of time-lag devices and effects. Here, he promises a burbling landscape punctuated with tweaked percussives and schizophrenic FM drops. The performance will be Carlson’s first four channel work.

Matt Carlson (b. 1983, Seattle) is a composer and musician, and an active participant in Portland’s underground and experimental music scene. In his recent music, he uses his body and voice to interact with a large analog modular synthesizer, conjuring dense clouds of sound. Current collaborations include modal electro-acoustic compositions and improv with bass clarinetist Jonathan Sielaff as Golden Retriever, and sound installations, videos and performances in Oregon Painting Society, a five-person Portland artist collective. He has released a number of solo recordings, including the well-received LP “Particle Language” (Draft) and cassette “Gecko Dream Levels” (Gift Tapes). He has performed at the Tate Modern in London, Barcelona's Primavera Sound festival, Seattle's Bumbershoot festival and in Portland's Time-Based Art festival. Carlson studied composition and electronic music at Cornish College of the Arts in Seattle.

This performance is presented in partnership with Lampo. Founded in 1997, Lampo is a non-profit organization for experimental music, sound art and intermedia projects.

Please note: Seating will be first come first served. Doors will open at 7:30PM.

FAT, the Villa, Hoogvliet, the Netherlands, 2008 © Maarten Laupman.

While grand visions are often considered the currency of contemporary architecture, the truth is that compromise—rather, the uncomfortable sensation of being compromised—is the natural state of the architect, and the condition under which architecture is made. For architecture, context is never pure or abstract; it is a site physically, economically, and socially inscribed by competing interests. These compromised positions and scoured surfaces are where architecture’s political and ideological subtexts are revealed. Yet from these cloudy waters, the most innovative, relevant, and unexpected forms can emerge.

Sam Jacob (FAT), Liza Fior (muf), and Damon Rich of Newark will reveal their own complicities and compromises, and discuss how these conditions can become grounds for creative and engaged forms of architecture and urban planning.

Graham grantee Sam Jacob is a director of London-based architecture office FAT, where he has been responsible for award-winning projects in the UK and abroad, such as the Heerlijkheid Hoogvliet (NL), Islington Square(UK), and Sint Lucas Art Academy (NL). Current projects include the BBC Drama Production Village in Cardiff, and CIAC, an 80-unit housing scheme in Northern England. As part of FAT, Jacob has received several awards, including the RIBA European Award (in 2009 and 2007), the Architecture Foundation Next Generation Award (2007), and the FX Award (Best Museum, 2007; Best Public Project, 2005). Jacob has taught and lectured at universities internationally. He is currently professor of architecture at the University of Illinois at Chicago, and unit master at the Architectural Association, London; previously, he has taught at the Yale School of Architecture. Jacob is codirector of the Architectural Doppelgangers Research Cluster at the AA, a design critic for Art Review, and contributing editor to Icon. With Charles Jencks, Sean Griffiths, and Charles Holland, he coedited the recent AD issue Radical Post Modernism. Jacob also writes and edits strangeharvest.com, and contributes to a variety of publications.

Liza Fior was born in London, UK, where she continues to practice as a founding partner of muf architecture/art. Muf negotiates between built and social fabrics, public and private interests,  through projects that have been largely, but  non-exclusively, focused in East London. These projects range from urban-design schemes to small-scale temporary interventions, from landscapes to buildings—each part of a continual dialogue. Muf's approach—value what’s there, nurture what's  possible, and define what’s missing—is currently demonstrated by Making Space in Dalston, which will extend into a series of projects around the fringe of London’s Olympic site. At the 2010 Venice Architecture Biennale, muf turned the British Pavilion into a platform for locally based concerns. Muf's awards include the 2008 European Prize for Public Space (a UK first), for Barking, East London's new "town square."  In addition, Fior is coauthor of This is What We Do: A Muf Manual.

Graham grantee Damon Rich is a designer and artist. In exhibitions, graphic works, and events, sometimes produced in collaboration with young people and community-based organizations, Rich creates fantastical spaces for imagining the physical and social transformation of the world. His work represented the United States at the 2008 Venice Architecture Biennale, and has been exhibited at PS 1 Contemporary Art Center, Storefront for Art and Architecture, the Canadian Centre for Architecture, and the Netherlands Architecture Institute. In 1997, he founded the Center for Urban Pedagogy (CUP), a nonprofit organization working to increase the impact of public participation in planning and development, where he served as creative director for ten years. Rich has taught architecture and planning courses at the Cooper Union, Syracuse University, Pratt Institute, and the Parsons School of Design, and has written about architecture and politics for publications including Perspecta, the Nation, Domus, and Architecture. He currently serves as urban designer for the City of Newark, New Jersey, where he leads design efforts with public and private players to improve the city’s public spaces.

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